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These young people are the beating heart of Darling! and their words are the most powerful evidence of PieterвЂ™s ability to inspire and change lives.The film was announced in August 2019, after a bidding war amongst 18 studios to acquire the next project directed by Olivia Wilde New Line Cinema later won the auction. Speaking to the school students that Pieter performs to on the road left me speechless. There is a virus that threatens to wipe out an entire generation of young people in South Africa. What I didnвЂ™t quite anticipate was what Stephen Gray, PieterвЂ™s first play editor, calls вЂthe electric root of PieterвЂ™s talent.вЂ™ He is talking about a family with many profound paradoxes вЂ“ a father who was an apartheid-era censor, PieterвЂ™s heritage that is both Jewish and Afrikaans (hence the famous one-liner вЂI belong to both chosen peopleвЂ™) and his early years on the fringe in a brutal Calvinist culture.Д«ut Darling! focuses on the now. Allowing me to film in his home was a first. Whilst a celebrity of the highest order in his homeland, Pieter also lives a deeply private and lonely life in many ways. Over time Pieter and I became closer and I was allowed into his normally off-limits inner world. I got my hands on some smaller equipment and slowly found the focus. I thought the only way to make a documentary, like a fictional feature, was with 35MM film and huge dolly tracks! I remember with some embarrassment spending just about all the money I had on the first day of the shoot.

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The footage in Darling! The Pieter-Dirk Uys Story comes from five trips I took to South Africa, and also Germany.ДЇor me personally, the story of Darling! and itвЂ™s production is tangled up with learning how to make a film. Eventually we found the finishing money from The AIDS Trust of Australia. I was able to get over to Africa by myself for the first time in 2003.ДЄs time wore on I went back and forth with little dribs and drabs of private investor money, before meeting Australian producer Jonathon Green in 2004 and also editor Frans Vandenburg. Hardly anybody knew this man outside of South Africa, and I wanted the world to know his story. I knew that I had to get over to South Africa and try and make a film about what Pieter was doing. When I first learnt of this, it blew me away. He has performed for a million young people.

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Pieter does his part by going around schools in South Africa to present a free вЂAIDS Awareness EntertainmentвЂ™ to school children. It was HIV/AIDS, and it continues to tear South Africa apart. Whilst I found the theatricality of Evita quite incredible, I soon learnt there was something far more pressing than the fading legacy of apartheid. This female alter-ego of his has become the most famous white woman in South Africa. In the 1980s he put the worst truths about the apartheid government into her lip-stick smeared mouth. It seems like he only got away with it by dressing up as a woman вЂ“ Mrs. He risked his life every time he stepped on-stage. This was brave, because he did it in a political climate that saw critics of the government go вЂmysteriously missingвЂ™ everyday. In his show I learned how he had once fought the inhuman system of apartheid with satire. And here, before my eyes, was this funny bald Afrikaner man Pieter, and I became mesmerised by his story.

I didnвЂ™t know much more about South Africa than who Nelson Mandela was. Honestly, I had never heard of him before. The show was just one man on-stage вЂ“ Pieter-Dirk Uys.

вЂ“ Julian Shaw, writer/director of Darling! вЂWhen I was 15 years old I saw a show that changed my lifeвЂ¦вЂќ

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